'Tis
but thy name that is my enemy:
Thou art thyself, though not a Montague.
What's Montague? It is nor hand nor foot,
Nor arm nor face, nor any other part
Belonging to a man. O be some other name!
What's in a name? That which we call a rose
By any other word would smell as sweet;
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name,
and for thy name, which is no part of thee,
Take all myself.
Thou art thyself, though not a Montague.
What's Montague? It is nor hand nor foot,
Nor arm nor face, nor any other part
Belonging to a man. O be some other name!
What's in a name? That which we call a rose
By any other word would smell as sweet;
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name,
and for thy name, which is no part of thee,
Take all myself.
Arguably,
one of the most famous scenes in literature, Shakespeare knew the art of
names. Naming a character is like naming a child. You have to find
the right combination of first and last names to match characteristics, looks,
intelligence and character background. And it can be a long
process.
Just
imagine this line, “Buddy, Buddy, where for art thou Buddy?”. It’s just
doesn’t have the same impact. Now
imagine Edward Cullen. The name ‘Edward’
has a certain ring to it, a noble quality, while the character of Edward Cullen
is gentlemanly, cultivated, and distinguished.
The name fits with who he is, where he came from, and the time period he
was born.
And
not only do writers have to figure all that in, but we have to be aware that
some names are new creations. For instance,
the name Vanessa was “invented” by the author Jonathan Swift in the early
1700’s, so if you happen to be writing a piece set in the 1600’s then the name
would be anachronistic.
I
have a hard time, just like every other writer, finding that one name that
jumps out at me to define the character I have in my head. But I tend to get my names from unusual
places. For instance, in my book Spirals,
the two heroes are Tobias Noble and Orion West… which are all street names in
LA County. Even my heroine, Kaori, got
her last name from a street in El Segundo, California. In Kismet, the sequel to Spirals,
Evie’s last name is a surgical instrument!
A writer will never know where inspiration will strike.
Names
that have strong syllables usually bring to mind strong heroes. For instance, John or Luke or Max. Each name brings to mind a certain man: John
Wayne, Luke Skywalker or Mad Max. Most
writers will go with a strong name over something more…odd. Eustace probably won’t usually be a hero’s
name, at least not in romance books, although he was an excellent annoyance in Voyage of the Dawn Treader!
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